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Art --- Art, Renaissance.
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Series dedicated specifically to scholarship on art and culture in Italy from roughly 1250-1450
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Art, Renaissance. --- Art, Medieval --- History.
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Art, Renaissance. --- Art, Medieval --- History.
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Architecture, Renaissance --- Art, Renaissance --- Architecture, Baroque
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A visionary scientist, a supreme painter, a man of eccentricity and ambition : Leonardo da Vinci had many lives. Born from a fleeting affair between a country girl and a young notary, Leonardo was never legitimized by his father and received no formal education. While this freedom from the routine of rigid and codified learning may have served to stimulate his natural creativity, it also caused many years of suffering and an insatiable need to prove his own worth. It was a striving for glory and an obsessive thirst for knowledge that prompted Leonardo to seek the protection and favour of the most powerful figures of his day, from Lorenzo de’ Medici to Ludovico Sforza, from the French governors of Milan to the pope in Rome, where he could vie for renown with Michelangelo and Raphael. In this revelatory account, Antonio Forcellino draws on his expertise – both as historian and as restorer of some of the world’s greatest works of art – to give us a more detailed view of Leonardo than ever before. Through careful analyses of his paintings and compositional technique, down to the very materials used, Forcellino offers fresh insights into Leonardo’s artistic and intellectual development. He spans the great breadth of Leonardo’s genius, discussing his contributions to mechanics, optics, anatomy, geology and metallurgy, as well as providing acute psychological observations about the political dynamics and social contexts in which Leonardo worked. Forcellino sheds new light on a life all too often overshadowed and obscured by myth, providing us with a fresh perspective on the personality and motivations of one of the greatest geniuses of Western culture
Artists --- Biography. --- Leonardo, --- Art, Renaissance --- Leonardo da Vinci
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In der italienischen Kunstproduktion und Kunsttheorie der Renaissance bezieht sich der Terminus chiaroscuro in erster Linie auf die Artikulation plastischer Werte, auf das Formulieren eines rilievo. Rilievo meint hier ein innovatives Gestaltungsprinzip, das den Eigenwert der mittelalterlichen Buntfarbe durch den Darstellungswert unbunter Farbtöne ersetzt. Malerei und Graphik tendierten im nordalpinen Raum hingegen dazu, mittels des Helldunkel die Oberflächenbeschaffenheit von Materialien zu evozieren. Aus dieser komparativen Perspektive erfasst der Band das Helldunkel als ästhetisches Prinzip, das als zentrale Signatur der gesamteuropäischen Kunstgeschichte zwischen 1300 und 1600 zu verstehen ist. In the Italian theory and practice of art of the Renaissance, the term chiaroscuro primarily refers to the articulation of sculptural qualities, i.e. depth or rilievo. In this context, rilievo refers to an innovative design principle, which replaces the inherent value of medieval chromatic shading with achromatic shades. By contrast, paintings and graphic art in the northern Alpine region tended to create the depth in the surface of objects by using light-dark effects. Based on this comparison, the book deals with chiaroscuro as an aesthetic principle, which should be understood as the key signature of European art history as a whole between 1300 and 1600.
Chiaroscuro. --- Art, Italian. --- Aesthetics, European. --- Art, Renaissance --- Art, European
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In this lucid account, Stephanie Porras charts the fascinating story of art in northern Europe during the Renaissance period (c.1400–1570). She explains how artists and patrons from the regions north of the Alps – the Low Countries, France, England, Germany – responded to an era of rapid political, social, economic and religious change, while redefining the status of art. Porras discusses not only paintings by artists from Jan van Eyck to Pieter Bruegel the Elder, but also sculpture, architecture, prints, metalwork, embroidery, tapestry and armour. Each chapter presents works from a roughly 20-year period and also focuses on a broad thematic issue, such as the flourishing of the print industry or the mobility of Northern artists and art works. The author traces the influence of aristocratic courts as centres of artistic production and the rise of an urban merchant class, leading to the creation of new consumers and new art products. This book offers a richly illustrated narrative that allows readers to understand the progression, variety and key conceptual developments of Northern Renaissance art.
Renaissance --- History of civilization --- Art --- anno 1400-1499 --- anno 1500-1599 --- Europe: North --- Art, Renaissance --- Art, Renaissance - Europe, Northern --- art market --- cultuurgeschiedenis
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